Ilford Delta Pro 100 - 120

Finally got around to trying this in Rodinal 1:50 and the tonal separation in the midtones is gorgeous. I’ve shot a lot of 120 black and white, and this one holds shadow detail better than most films at box speed. The curl after drying was nearly flat, which makes scanning a breeze.

The grain structure on this 120 roll is incredibly smooth—my portraits have that classic fine-art look without any harsh texture. I've been able to push it a stop in development with hardly any loss in the midtones.

Finally got around to developing a roll from my Mamiya and the grain structure on this 120 film is incredibly tight. The tonal range from deep shadows to bright highlights came out exactly as I hoped for my landscape shots.