Firstcall Photographic

Adox Lupex Silver Chloride Contact Paper 8 x 10in 50 Sheets

Adox Lupex Silver Chloride Contact Paper 8 x 10in 50 Sheets - Main image
$59.51 $95.99 In stock

Category: Print & Print Processing Black and White Darkroom Paper

If you own a large format camera, you can expose photographic printing paper in the camera, and once developed in the darkroom, this creates a paper negative.

The tones of the original scene are reversed in the negative. Bright things become dark on the paper, and dark things become light. You can then make contact prints from these paper negatives instead of enlargements. The process is called contact printing because you squeeze the negative face down in contact with the sheet of silver-gelatin printing paper (between two sheets of glass) and shine a bright light through it to print the image into the paper. The print is exactly the same size as the negative. This same principle can be achieved by printing the paper negative onto an inkjet printer and ready immediately for transfer to the darkroom for contact printing.

This is like darkroom printing in an old-fashioned way, and now there's a special silver chloride paper from Adox called Lupex to achieve such enlargements in just 60 seconds.

The Grade 3 paper renders a neutral to warmtone finish on its 255gsm fibre base. It's also a slow-speed contact fibre paper made with a silver chloride emulsion (eight stops lower than Multigrade). It offers extremely fine grain and impressive results from its first-class resolution, just like your large format negatives.

We recommend using a 300w bulb situated about 4 feet above the exposure area. Exposure takes about 60 seconds. No enlarger is needed to obtain the print. Develop in Multigrade developer diluted 1+9.

It keeps for at least three years from the purchase date.

For technique tuition, we recommend the series from Tim Bowman on YouTube to inspire you.

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Customer Reviews (5.0 / 5 · 5 reviews)

Claire R. ★★★★★

I love how this paper handles large format exposures—the contrast is spot-on for direct paper negatives. Developed a few sheets last night and the tonal range surprised me.

Zoe ★★★★★

I've been exposing this paper directly in my 4x5 field camera for paper negatives, and the silver chloride emulsion captures beautifully soft midtones. At 8x10 inches, each sheet fits perfectly in my film holders, and the box of 50 will last me months of weekend shooting. The paper develops evenly a

Adam N. ★★★★★

The paper's silver chloride emulsion gives a real, old-school look that digital just can't touch—I've been shooting 8x10 paper negatives all week and the tonal range on these sheets is gorgeous. They cut cleanly in the dark and each sheet held up perfectly through the develop-stop-fix process, so no