Firstcall Photographic

Ilford Multigrade FB Warmtone Glossy 16 x 20in, Pack of 50

Ilford Multigrade FB Warmtone Glossy 16 x 20in, Pack of 50 - Main image
$230.75 $355 In stock

Category: Print & Print Processing Black and White Darkroom Paper

Ilford Multigrade FB Warmtone black and white enlarging paper incorporates an emulsion based on the latest generation of sensitising technology developed by scientists at Ilford worldwide headquarters in Mobberley, Cheshire. This fibre based, premium quality, variable contrast black and white paper is part of the Ilford Multigrade system and is fully compatible with all existing Multigrade filters and equipment. It has a warm, velvety black image colour on a creamy white base, which gives excellent handling characteristics during processing and a quality feel to the finished print.


You process it using the same method as other fibre-based papers and it is extremely responsive to a wide range of toners including sepia, selenium and sulphide at a range of dilutions. You can readily achieve subtle colour changes or effects that are more dramatic. Polysulphide and selenium toners will give especially good results.


Multigrade FB Warmtone is suitable for use with most enlargers; that is, those fitted with either a tungsten or tungsten halogen light source. It is also suitable for use with cold cathode light sources developed for variable contrast papers. It is available in double weight 1K glossy in a full range of sizes and 24K semi-matt too.


We are very impressed with the quality of the image results you can achieve and would strongly recommend you try this paper. When compared to Fineprint Warmtone we think you will agree that Ilford has the edge!


If you like the idea of Warmtone but can do without the hassle of washing and drying fibre paper, remember you can now have the same results by opting for Warmtone resin coated paper.

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Customer Reviews (4.6 / 5 · 5 reviews)

Hannah ★★★★★

The warmtone emulsion gives portraits a depth that straight cold-tone papers just can't match, and the 16x20 size is generous without being wasteful. I've been getting consistent results across the whole pack with no coating defects.

Penelope ★★★★★

Finally, a warmtone paper that holds deep blacks without losing that subtle brown undertone in the highlights. The 16x20 size cuts cleanly for my frameless mounts, and the glossy surface really makes the mid-tones sing under the enlarger. I've already gone through half the box on one project.

Michael ★★★★★

The 16x20 sheets are a joy to work with in the darkroom—the warmtone emulsion gives portraits that rich, subtle glow I've been chasing. The glossy finish dries beautifully flat, and the pack of 50 lasted me through a full weekend of printing without a single dud.