Firstcall Photographic

Ilford Multigrade Warmtone RC Pearl 8 x 10in 25 Sheets

Ilford Multigrade Warmtone RC Pearl 8 x 10in 25 Sheets - Main image
$26.19 $41.57 In stock

Category: Print & Print Processing Black and White Darkroom Paper

Ilford offers three versions of its brand-leading variable contrast black and white paper - Multigrade RC Cooltone, Multigrade RC IV (neutral) and Multigrade Warmtone.

Cooltone produces a sharper, punchier image (especially using a gloss surface) when compared to the equivalent Warmtone Multigrade. We particularly recommend the paper if you are using under-exposed negatives. It is a faster paper than RC IV or Warmtone and is ideally suited to those condenser enlargers with just 75-watt bulbs (90% of the student/hobbyist market).

The all-round merits of Multigrade VI are well known and is the best value selection of the trio. We also offer a greater range of pack sizes and sheet quantities in the Multigrade IV series. Process both Cooltone and Multigrade IV using the same chemicals i.e. Multigrade developer and Rapid Fixer. In our experience, you will need to allow longer for the MG developer in Cooltone than you do for MG IV.

Multigrade Warmtone produces a rich, warm black image on a warm white base without the complications of using fibre-based paper. Choose from glossy or pearl surface. If you have a special negative, particularly if it is a portrait, try Warmtone RC, you will not be disappointed. Develop in Fotospeed WA10, or better still, Variospeed W from Tetenal, which brings out the subtle warm colour.

Warmtone remains in vogue for 'dreamy' landscape prints. To achieve such results, this is the paper we would recommend. It lends itself perfectly to toning and has been one of the best selling papers in the last year.

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Customer Reviews (5.0 / 5 · 5 reviews)

Lucy P. ★★★★★

I’ve been using this paper for contact sheets and small prints, and the pearl surface adds a nice subtle texture that doesn’t show fingerprints. The warmtone base gives portraits a classic feel without going too yellow.

William ★★★★★

The warm tones on this paper really make skin look natural in portraits. It handles dodging and burning well without losing detail, and the pearl finish is a nice middle ground between glossy and matte.

Evelyn O. ★★★★★

I've been printing landscapes on this paper and the pearl surface really minimizes glare under gallery lights. The warm tones give my prints a rich, vintage feel without being muddy.