Firstcall Photographic

Kodak TMax Pro 3200 - 35mm 36Exp

Kodak TMax Pro 3200 - 35mm 36Exp - Main image
$13.35 $17.8 In stock

Category: Film & Film Processing Black & White Film

T-Max P3200 Professional Film from Kodak is back.


This multi-speed continuous-tone panchromatic black-and-white negative film that combines high to ultra-high film speeds with finer grain than that of other fast black-and-white films. It is essentailly an ISO 800 film that is designed to be pushed to ISO 3200, continuous-tone panchromatic that offers excellent sharpness and shadow detail as well as fine grain.


It aslo offers expanded exposure latitude meaning you'll get greater forgiveness with over-exposure errors.


It is especially useful for very fast action; for dimly lighted scenes where you can?t use flash; for subjects that require good depth of field combined with fast shutter speeds; and for handholding telephoto lenses for fast action or in dim light. It is an excellent choice for nighttime photography. We also know that if you're shooting indoor or nighttime sports events and available-light press photography or law-enforcement and general surveillance applications, that require exposure indexes of 3200 to 25000, you'll find that TMZ is the perfect film for you.


Develop using any Kodak developer (like T-Max, T-Max RS, X-Tol, D-76 & HC-110) or most popular film developers on the market.

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Customer Reviews (4.4 / 5 · 5 reviews)

Alexander L. ★★★★★

Shot a whole roll at 3200 in a dimly lit bar and the grain stayed surprisingly tight for such a fast film, which is exactly why I grabbed this multi-speed stock. The continuous-tone look gives portraits a nice smooth feel even when I’m pushing it hard. Definitely my go-to when the light’s gone but I

William ★★★★★

Finally got to push this film to 3200 for a late-night street shoot, and the grain stayed surprisingly tight for such high speed. The tonal range in the shadows is exactly what I wanted for those moody, low-light frames.

Steven Q. ★★★★★

Shot a whole roll at a dim indoor show and the grain still looks tighter than I expected for something this fast. Pushing it to 3200 gave me usable negatives instead of the muddy mess I usually get in low light.