Firstcall Photographic

Rollei RPX 25 - 120

Rollei RPX 25 - 120 - Main image
$7.43 $9.9 In stock

Category: Film & Film Processing Black & White Film

Rollei RPX 25 - 120

Rollei RPX 25 is a low-speed panchromatic black and white negative film known for its rich tones, fine grain and excellent shadow detail. With a nominal sensitivity of ISO 25, it is ideal for bright sunlight, studio work or tripod-based photography where ultimate detail and clarity are the priority.

In medium format, RPX 25 really shines. Its extremely fine grain and high resolving power make it a superb choice for landscapes, architecture, still life, portraits and any subject where sharpness, tonal range and enlargement quality matter.

Why We Like It

RPX 25 is one of the standout slow black and white films for medium format photographers. The combination of low sensitivity, fine grain and rich tonal detail makes it perfect for carefully composed images with outstanding clarity.

Key Features

  • 120 black and white negative film
  • ISO 25 low-speed panchromatic film
  • Very fine grain and extremely high sharpness
  • Excellent shadow detail and tonal separation
  • High resolving power for detailed subjects
  • Traditional thin emulsion on a transparent base
  • Ideal for enlarging and scanning
  • Can be pushed one stop with maintained results
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Customer Reviews (4.0 / 5 · 5 reviews)

Andrew M. ★★★★★

That ISO 25 speed really forces you to slow down and think about every shot, but the payoff is in that ultra-fine grain and rich tonal range it delivers. I've been shooting it in medium format and the shadow detail holds up beautifully even in tricky light.

Olivia ★★★★★

I’ve been shooting medium format for years and this ISO 25 film delivers shadow detail that’s noticeably richer than most slow stocks I’ve tried. The tonal range in bright light is just beautiful.

William ★★★★☆

The fine grain on this RPX 25 is really something else, I can still see every detail in the shadows even in the tough afternoon light. The ISO 25 speed means I'm stuck with a tripod most of the time, but the rich tones make it worth the extra setup.