Firstcall Photographic

Washi W 25 - 4 x 5in 12 Sheets

Washi W 25 - 4 x 5in 12 Sheets - Main image
$18.4 $28.3 In stock

Category: Film & Film Processing Black & White Film

There's a new 25 ISO black & white film this year, a modern adaptation of one of the oldest photographic techniques: the paper negative or Calotype, invented William Henry Fox Talbot. By coating photosensitive emulsion onto a Japanese traditional paper, this clever French company has produced the Washi, a new original film with a unique pictorialist aesthetic look to it.


Fully handcrafted, easy to handle and develop, Washi Film is now available in conventional photographic formats: 120 and 4 x 5, 8x10 so now any monochrome photographer can discover this special film.


Being a paper negative you develop it in paper developer usually 1+1 dilution and you can reuse the solution for several rolls or sheets.


Being orthochromatic it is sensitive to the blue end of the spectrum while being relatively insensitive to the red. This means that Washi Film can be handled under a red safelight as with other film, but you must remember to rinse the film with cold clean water to ensure optimal conservation of the negative.


After processing, scan or print as a contact using your enlarger.


(NB If scanning, use a transparency scan setting, as normal print scanning exhibits an overexposed veil over the print).


Processing Technique:


Washi must be processed under safelight in open trays:


1. Unroll the film and then separate it from its protective paper


2. Fix a flat clamp at each end of the film to handle it safely


3. Dip the film completely in clear water to give it a flat shape


4. Immerse it in the developer until complete stabilization of the negative


5. Rinse the film in a tray of clear water, do not use stop bath


6. Gradually immerse the film in an ordinary bath fixer


7. Once the film soaked with fixer, hang it for 3-5 minutes


8. Rinse several times the film in a tray of clear water for at least 5-10 minutes.


9. Suspend the film and leave it to dry.


10. Once completely dry the film tends to curl, cut it into equal strips that you can place under a weight in order to flatten it.

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Customer Reviews (5.0 / 5 · 5 reviews)

Hannah ★★★★★

The paper negative heritage really comes through in the tones—soft, almost painterly shadows that I've never gotten from modern emulsions. At 25 ISO you need steady light, but the 4x5 sheets handled the long exposures beautifully.

Ella Y. ★★★★★

Shot a few sheets at f/8 in bright noon light and the tonal range honestly surprised me, shadows hold detail without getting muddy. It's a slow film that makes you slow down, but that's the whole point of trying a modern take on a calotype.

Jacob B. ★★★★★

The 25 ISO speed is a real change of pace—I had to slow down and meter carefully, but those 12 sheets delivered tones that look straight out of Talbot's era. The calotype coating gives a soft, painterly grain that no modern stock I've tried can mimic.